![]() Effects are useful for repairing and enhancing your audio too. They also use more system resources than simple destructive waveform editing.Īudio editing isn't just about recording and moving around sound files. You might find these features handy if you're putting together a podcast and want to use sound effects or background music alongside your primary audio track. These may support the recording of multiple sources at once or non-destructive clip-based edits. Others offer one-click repairs to remove hiss and pops from your recording.įor more complex projects, a multi-track editor may be required. Some editors take this a step further and handle audio levels for you. An uncluttered interface and simple workflow ensure unnecessary features don't get in the way of the basics. Some apps make it easy for the less experienced audio editor. Not all of these features are essential to everyone looking for audio editing software, and your final decision will depend on the task at hand and your overall level of expertise: We've selected a variety of apps that bring something unique to the table. These kinds of simple waveform edits are often referred to as destructive editing, where edits you make to the file overwrite the original when you click Save. ![]() You should be able to use any of these apps to trim an audio file down to size or merge two files together. This is the bread and butter of audio manipulation, including recording from a microphone, selecting audio on a waveform, copying and pasting, and deleting audio from the timeline. ![]() They are used as examples and can be customized to your needs.Every editor we've chosen has a full set of basic editing controls. (*) These options cause a file analysis while theįile is written, which means that the file writing process can take longer. The following options can be generated automatically: Metadata can be entered manually or generated automatically. Source file, or edit the metadata of the file. When saving or recording an audio file in the Audio File Formatĭialog, you can specify whether not to use any metadata, inherit the metadata from the Lyrics and pictures are also iTunes-compatible.įor WAV, the following metadata types are available:ĬART (AES standard, dedicated to broadcast needs) The metadata codes that are followed by an (i) indicate the iTunes-compatible fields. However, in WaveLab Elements it uses the same editor. ID3v1 and ID3v2, including picture supportĪAC is used for MPEG-4 (iTunes compatible) and 3GPP containers.ĪAC is not ID3v2-compatible. The following fileįor MP3, the following metadata types are available: Metadata or only part of the metadata is saved in an audio file. To view the complete metadata of a file and to be able to edit the metadata, select Tool Windows > Metadata and click Edit. When creating a new file from a template, this file can inherit the metadata of the preset, if available.Ī preview of the metadata is displayed in the Metadata window. You can create different metadata presets for audio files and audio montages. When opening an audio file or audio montage, the metadata found in the file is loaded. Depending on the file format of the selected audio file, this data varies. Metadata consists of attributes that describe the audio contents, for example, the title of the track, the author, or the recording date of the track.
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